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Marie Tollon-Everett

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Marie Tollon-Everett

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REVIEWS


Dance Mongering : A Response to the 2019 Walking Distance Dance Festival 

Do You See Me?

The Body As a Divining Tool

Ready To Build Again: Bobi Jene Smith and Keir GoGowilts With Care 

Körper

Watching a Wrecking

When Form Reflects the Disappearing Sound: A Response to Sara Shelton Mann’s ECHO / riding the rapids

Notes about ODC’s 2018 Walking Distance Dance Festival

Three Objects Moving At A Different Pace: Notes about Still Life No. 7

Dissonant Objects of Memory: Cori Olinghouse’s Grandma

A Gender Theorist and a Drag Performer Walk into a Theater

Do The Damn Thing

 A Different Way of Seeing 

Dance As A Generous Act 

Christine Bonansea’s Floaters

Capturing the Real

Still Life In Movement 

Truth is Political: Dance Makers Discuss Art and Activism 

Dancer, Healer, Shape-shifter: Sara Shelton Mann in Keith Hennessy’s Sara The Smuggler

The Critic as Connector

I Want To Make A Piece With You

San Francisco Changed Her Profile Picture

Lessons From Our Elders

Speaking Volumes on Alcatraz Island

Shifting the Perspectives

Diving into the Larger Creative Landscape

Moving Walls

The Leaking Faucet 

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